7 edition of The visual focus of American media culture in the twentieth century found in the catalog.
Includes bibliographical references (p. 300-309) and index.
|Statement||Wiley Lee Umphlett.|
|LC Classifications||P94.65.U6 U47 2004|
|The Physical Object|
|Pagination||330 p. :|
|Number of Pages||330|
|LC Control Number||2003012706|
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Read the full-text online edition of The Visual Focus of American Media Culture in the Twentieth Century: The Modern Era, (). The Visual Focus of American Media Culture in the Twentieth Century book. Read reviews from world’s largest community for readers. This is a sociocultura Reviews: 1.
Get this from a library. The visual focus of American media culture in the twentieth century: the modern era, [Wiley Lee Umphlett] -- "This is a sociocultural history of the visually oriented developments in the mass media and related forms that have beguiled American society from the s to the end of World War II.
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As such, this book complements and expands on the commentary and conclusions of the author's initial inquiry into the modern era of media-made culture in The Visual Focus of American Media Culture in the Twentieth Century (FDUP, ). Indulging the self as a way of life at century's end; Epilogue: looking back while looking ahead to a new century.
Summary This book complements and expands on the commentary and conclusions of the author's initial inquiry into the modern era of media-made culture in "The Visual Focus of American Media Culture in the Twentieth Century (FDUP.
As such, this book complements and expands on the commentary and conclusions of the author\'s initial inquiry into the modern era of media-made culture in The Visual Focus of American Media Culture in the Twentieth Century (FDUP, ).\" \"Like the first book, the second also relies on the collective metaphor of the mediated vision to show how.
Visual Culture in Twentieth-Century Germany explores a wide spectrum of visual media in 20th-century Germany in their critical and social contexts.
Contributors examine film, photography, cabaret performance, advertising, architecture, painting, dance, television, and cartography, investigating the ways in which these visual media were Format: Paperback.
Historian of race, gender, and culture in 20th century U.S. with focus on African American business and visual culture. Brenna Wynn Greer is a historian of race, gender, and culture in the twentieth century United States, who explores historical connections between capitalism, social movements and visual culture.
Her first book, Represented. In this extensively illustrated work, Vanessa Meikle Schulman reveals how visual representations of labor, technology, and industry were crucial in shaping the way nineteenth-century Americans understood their nation and its place in the world.
Her focus is the period between andan era marked by the rapid expansion of rail and telegraph networks. Standard PDF ( KB) ; In Across the World With the Johnsons: Visual Culture and American Empire in the Twentieth Century, Prue Ahrens, Lamont Lindstrom, and Fiona Paisley have written an engaging cultural analysis of the careers of the husband and wife filmmaking team, Martin and Osa Johnson, two all-but-forgotten early 20 th century American Author: Nancy Lutkehaus.
This series provides accessible but challenging studies of American culture in the twentieth century. Each title covers a specific decade and offers a clear overview of its dominant cultural forms and influential texts of the decade, discussing their historical impact and cultural legacy.
Collectively the series reframes the notion of ‘decade studies’ through the prism of cultural. The visual culture of American warfare has grown exponentially over the last years, and as such, war has come to be made to fit the contours of image. The Septemterrorist attacks provide an exemplary case of a hostile attack whose meaning was shaped by its transformation into a global media phenomenon.
This is the first study of mass media in Germany from a social and cultural-historical perspective. Beyond the conventional focus on organizational structures or aesthetic content, it investigates the impact the media has on German society under varying political systems, and how the media is shaped by wider social, political and cultural context.
Catherine Morley is Lecturer in American Literature at the University of Leicester. She is the author of The Quest for Epic in Contemporary American Literature () and co-editor of American Thought and Culture in the 21st Century () and American Modernism: Cultural Transactions ().
Dylan E. Kahn is a second-year PhD student in the Department of Art History and an enrollee in the Visual Studies Graduate Certificate. He works on nineteenth- and early twentieth-century American and transatlantic visual culture, focusing on issues of public reception, spectacle, mass media, gender, and the interior world.
About Women, Warfare and Representation. Women, Warfare and Representation considers the various ways the American servicewoman has been represented throughout the 20th century and how those representations impact the roles she is permitted to inhabit.
While women have a relatively short history in the American military, the last century shows an. Carolina Sá Carvalho’s research interests include 19th- and 20th-century Brazilian and Latin American literatures and visual cultures, with a specific focus on realism, visual culture, imperialism, media studies, intermediality, and the relationships between aesthetics and politics.
She works primarily with twentieth-century American literature and visual culture with special focus on Asian American and African American literatures. She is the author of The Melancholy of Race: Assimilation, Psychoanalysis, and Hidden Grief (Oxford University Press), a study of the notion of racial grief at the intersection of culture.
Will the twenty-first century be the next American Century. Will American power and ideas dominate the globe in the coming years. Or is the prestige of the United States likely to crumble beneath the pressure of new international challenges?This ground-breaking book explores the changing patterns of American thought and culture at the dawn of the new millennium, when.
Visual culture is the aspect of culture expressed in visual academic fields study this subject, including cultural studies, art history, critical theory, philosophy, media studies, Deaf Studies and anthropology. The field of visual culture studies in the United States corresponds or parallels the Bildwissenshaft ("image studies") in Germany.
This essay examines corporal-punishment imagery in early-twentieth-century Japanese print media, with a focus on pictures from colonial Taiwan and Korea. Its purpose is twofold. First, it attempts to account for the absence of mass-circulation photographs of floggings and cangues from colonial Taiwan.
Advertising is defined as promoting a product or service through the use of paid announcements (Dictionary). These announcements have had an enormous effect on modern culture, and thus deserve a great deal of attention in any treatment of the media’s influence on culture.
Japanese popular culture has developed in many unexpected and fascinating ways. From contemporary pop culture's beginnings in the shadow of the Second World War and the earlier China campaign, Japan's sense of identity has been contested, challenged, reconsidered, restructured, and revived through multiple popular media.
Pop culture, though, has always Author: Matthew Allen, Rumi Sakamoto. Moving Lives Twentieth-Century Women’s Travel Writing.
• Unique in its focus on the relationship of women in Ideologies of Polar Expeditions Bloom focuses on the conquest of the North Pole as she reveals how popular print and visual media defined and shaped American national ideologies from the early twentieth century to the.
Introduction. An Archaeology of Media Archaeology. Erkki Huhtamo and Jussi Parikka. The advent of "new media" (in common parlance, a loose conglomeration of phenomena such as the Internet, digital television, interactive multimedia, virtual reality, mobile communication, and video games), has challenged many scholars to investigate the media.
My research and teaching interests focus on British and European modernism and critical theory, particularly psychoanalysis and feminism. My first book, The Poetics of Impersonality: T.S. Eliot and Ezra Pound, takes a deconstructive approach to these poets’ work, analyzing how their championship of literary impersonality – i.e.
the disappearance of the poet in the poem. The Tyson Scholars of American Art Program at Crystal Bridges Museum of American Art. Tyson Scholars Program application instructions and more can be found in the program portal. Crystal Bridges Museum and the Tyson Scholars Program encourages and supports scholarship that seeks to expand boundaries or traditional categories of investigation into American art.
Elizabeth Kessler’s research and teaching focus on twentieth and twenty-first century American visual culture. Her diverse interests include: the role of aesthetics, visual culture, and media in modern and contemporary science, especially astronomy; the interchange between technology and ways of seeing and representing; the history of photography; and the representation of.
Héctor Carrillo talks with students after his book talk in Joan Scott speaking at the Center in Cinema & Media Studies. Dominique Blüher The Center for the Study of Gender and Sexuality S.
University Ave., Chicago, IL “Readers of American art and visual culture interested in critical race studies, transnational exchange, and the movement of ideas between media, particularly performance and visual art, will benefit from Sheehan’s historically grounded and convincing accounts that offer new perspectives on US racial discourse within and through photography Author: Tanya Sheehan.
♦ Explore concepts of American character from the eighteenth through the twentieth century ♦ Analyze various media – including film, the fine arts, and the novel – as historical cultural productions ♦ Gain knowledge of nineteenth-century art history and literature Extended Plot Summary and Alternative Teaching/Viewing StrategyFile Size: KB.
Asian American Literature. Titled “Remittance Fiction,” his book offers a new history of the Philippine Anglophone novel by tracing its evolution within the transpacific educational exchange system of U.S. She works primarily with twentieth-century American literature and visual culture with special focus on Asian American and.
At War: The Military and American Culture in the Twentieth Century and Beyond David Kieran, Edwin A. Martini The country’s wars in Iraq and Afghanistan, its interventions around the world, and its global military presence make war, the military, and militarism defining features of contemporary American life.
Peter Bennett is Senior Lecturer in Post-Compulsory Education at the University of Wolverhampton, UK. He is co-author and co-editor of a range of Communications, Media and Film textbooks as well as Framework Media: Channels ().
He is co-author and Chief Examiner of the new Communication and Culture A Level and a regular provider of IN SET for teachers. Unlike standard accounts that focus on Surrealism in the U.S.
during the s as a point of departure for the ascendance of the New York School, this study contends that Surrealism has been integral to the development of American visual culture over the course of the twentieth century.
Her recent projects focus on colonial visual culture including the book, Script and Glyph: Pre-Hispanic History, Colonial Bookmaking and the Historia Tolteca-Chichimeca, and a collaborative bi-lingual multi-media project, Vistas: Visual Culture in Spanish America: (DVD forthcoming from UT Press).
She is currently working on a project. Broadly speaking, I work in the fields of new media studies and twentieth and twenty-first century American literature and culture.
Within these areas, my teaching and research focus on digital games, electronic literature, virtual worlds, television, cinema, the novel, and media theory. Her research interests are presently in twentieth century Chinese entertainment culture, its political implications and its impact on social change.
Her recent publications include Shanghai Love: Courtesan, Intellectuals and Entertainment Culture, (Seattle, ).Mobility, Memory and the Lifecourse in Twentieth-Century Literature and Culture Pearce, L.
() This book explores the formative role of mobilities in the production of our close relationships, proposing that the tracks—both literal and figurative— we lay down in the process .in the early twentieth century. Some common "feminist"2 topics that emerge in the illustrations of Gibson and Held include dress reform, women in the workplace, education, marriage, sexuality, manners, recreation and political power.
Dress reform had been a focus of American feminists ever since Elizabeth Cady t.